Just been added to this course. I have indicated the examples 1, 2, etc in the explanation but I don't have them ready just yet. It's just going to be neck diagrams of the two-note embellishments.
Hope you like this!
I'm here to help.
RR, I like the way you placed those Hendrix double stops in a different Tempo and context since they are used by so many players across genres. Definitely helps me expand from the source/influence from which I draw. For me the challenge is finding how many ways I can see these opportunities during jam practice and how to make the play over the rhythm.
Funny, I was just working a lot of doubles in 60's soul rhythm patterns like Cropper, Dupree and some Motown tunes. And yep, there's Jimi' s chitlin circuit days w the Isley Brothers bringing funk and rock out of soul. Currently I'm working Dupree's soul stew riffs into other E blues rock songs
Great lesson segment, as always!